
Some of you may remember I blogged a couple of months ago about the extremely exciting news that the amazing Australian YA series Tomorrow When The War Began by John Marsden, was being made in to a movie. Well...it's out!

Title: Mockingjay
Title: Immortal
I was very lucky to have the chance to interview Dee White, author of Letters to Leonardo, which I reviewed a couple of weeks ago.
Title: Graffiti Moon His work is all over the city, but he is nowhere.
Ed, the last guy she wants to see at the moment, says he knows where to find him. He takes Lucy on an all-night search to places where Shadow's thoughts about heartbreak and escape echo around the city walls.
But the one thing Lucy can't see is the one thing that's right before her eyes.
It is the last night of year 12 and Lucy and her two friends, Jazz and Daisy, are aiming for an all-nighter. Lucy, as always, is looking for Shadow. Jazz wants to find a hot boy and Daisy wants to have fun while deciding if she should dump her boyfriend. It just so happens that the boy Jazz chooses happens to be hanging with his mates; Dylan, Daisy's boyfriend, and Ed, who Lucy has an embarrassing history with. And so an adventure all over Melbourne begins!
We are lucky enough to get to hear the adventure from both the perspectives of Lucy and Ed, as well as little snippets of Poet's poetry (Poet writes the words to some of Shadow's artwork). The story is funny, witty and breath-taking. It literally had me laughing out loud at one point (and I received some strange looks as I was on a train at the time)! It is really great to have both the girl and the guy's perspectives. As a plus, at some points the perspectives cross over and we get to see how each of them interprets what the other has said or done, which is not something you see often (usually it is a straight swap to the other person and on with the story rather than going back and seeing what has just happened from the other side).
The conceptual art that Crowley has imagined for Shadow is amazing and I would love to turn around a corner and see some of the pieces on a wall. As the reader, we are able to feel connected to the artwork, not only because it is described in detail but we also get to hear not only how Shadow's pieces make Lucy feel but also what her creative force and the emotions behind her own art are. It is this kind of personal touch that really reaches out to the reader.
Graffiti Moon will speak to art-minded people the same way Nick and Norah's Infinite Playlist reached out to those who adore music.
I really liked the extra personal details included such as Lucy's family's quirky arrangement, Jazz's supposed psychic abilities and Ed's inner turmoil over his future, the end of a past relationship and the death of a close friend. There is so much depth to all the characters that you just can't help love them all. You can also feel the tingles of attraction between certain characters. ZING!
My only reason this book does not get 10/10 is because I really don't think the cover does anything for the book. It should have had a piece of Shadow's art work on it instead. It just isn't an appealing cover and as we all know, people, especially teenagers, usually do judge a book by it's cover. I read a fantastic review of Graffiti Moon at Books and the Bees and if it hadn't been for this, I'm not sure I would have ended up reading it, and I would have completely missed out on such an awesome book!
I have had one of Cath Crowley's previous titles, Chasing Charlie Duskin, on my TBR list for ages and I am definitely going to have to put it on order because if Graffiti Moon is anything to go by, I'll be reading a lot more of Cath Crowley in the future.
Title: The Poison Diaries Jessamine Luxton has spent her whole life in a cottage close to her father's apothecary garden, surrounded by medicinal plants and herbs that could kill her - although her father has never allowed her into the most dangerous part of the grounds... the poison garden. She's never had reason to be afraid - until now. Because now a newcomer has come to live with the family, a quiet but strangely attractive orphan boy named Weed.
Though Weed doesn't say much in words, he has an instinctive talent for the apothecary's trade, seeming to possess an extraordinary sensitivity to growing things. Soon, he and Jessamine share a close bond. But little does Jessamine know that passion can be just as poisonous as the deadliest plants - for behind Weed's gifted knowledge of the garden lies a terrible secret...
My Review:What I did like about the book were the lessons Weed learns. Weed can talk to/understand plants. This is not me spoiling anything (I have read quite a few synopsis's where the reader finds this out even before opening the book). Through this connection, the plants attempt to educate Weed on the concept of right and wrong. Is there actually a difference between right and wrong or will it always be based on the individual circumstances and perspectives? This is also relevant to one of the main themes of the story. How far would you go/what would/wouldn't you do for the person you love?
I also loved the personalities of the different plants, especially those from the poison garden. This was my favourite part of the book. I think they were imagined/interpreted brilliantly.
Plain and simple, I did not like the ending. It is so unjust and unfair. I found it frustrating! That is all I can say without spoiling the ending for anyone who plans on reading this.
Title: A Love Story Starring My Dead Best Friend
Title: Letters to LeonardoIt's Matt Hudson's 15th birthday and all he wants is some art lessons. Instead, he gets a card from his dead mother. How can someone who died ten years ago send you a card? Simple answer - they can't. This awful truth changes Matt's life forever.
Title: The Deadly Sister But now Maya's been accused of murder. And Abby's not sure she'll be able to cover for her anymore.
With the police closing in, Abby helps Maya escape...and then starts investigating, hoping to clear her sister's name. What she finds, though, shows that you can't trust anyone - not even the people you think you know.